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Music and the aesthetics of modernity essays

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Published by Harvard University, Department of Music : Distributed by Harvard University Press in Cambridge, Mass .
Written in English

Subjects:

  • Music -- Philosophy and aesthetics -- Congresses,
  • Modernism (Music) -- Congresses

Book details:

Edition Notes

Statementedited by Karol Berger & Anthony Newcomb.
GenreCongresses.
SeriesHarvard publications in music ;, 21, Isham Library papers ;, 6
ContributionsBerger, Karol, 1947-, Newcomb, Anthony, 1943-, Brinkmann, Reinhold, 1934-
Classifications
LC ClassificationsML3845 .M972 2005
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL3296833M
ISBN 100964031728
LC Control Number2004021410

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  For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical : Karol Berger.   As self-contained essays many of the contributions, whatever their approach, are engaging, intriguing, and thought-provoking. That they do not add up to a more coherent account of music and modernity is perhaps, in part, because of the nature of the by: 1. Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment. The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary : Hardcover. Music and Aesthetic Reality: Formalism and the Limits of and millions of other books are available for Amazon Kindle. Learn more. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device : $

  Sir Roger Scruton was a writer and philosopher who has published more than forty books in philosophy, aesthetics and politics. He was a fellow of the British Academy and a Fellow of the Royal Society of Literature.4/5. About the Author. Roger Scruton is a leading authority on aestheics, and has also published books on others aspects of philosophy, politics, literature, architecture, and modern culture. Currently a freelance writer and composer, he was previously a Professor of Philosophy at Boston by: MODERN EUROPEAN PHILOSOPHY General Editor Robert B. Pippin, University of Chicago Advisory Board Gary Gutting, University of Notre Dame Rolf-Peter Horstmann, Humboldt University, Berlin Mark Sacks, University of Essex Some recent titles Daniel W. Conway: Nietzsche’s Dangerous Game John P. McCormick: Carl Schmitt’s Critique of Liberalism Frederick A. Olafson: Heidegger and the Ground of .   Buy Music and the Aesthetics of Modernity: Essays (Harvard Publications in Music) by Berger, Karol, Newcomb, Anthony (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible : Karol Berger, Anthony Newcomb.

Baroque Reason: The Aesthetics of Modernity. In this fascinating book, Christine Buci-Glucksmann explores the condition of modernity - alienation, melancholy, nostalgia - through the works of a number of writers and philosophers, including the social and aesthetic philosophy of Walter Benjamin.4/5(1).   The book looks at: The experience of listening Rhythm and musical movement What modernism has meant for musical aesthetics The relation of music to other 'sound arts' Improvisation and composition as well as more traditional issues in musical aesthetics such as absolute versus programme music and the question of musical formalism. The Aesthetics of Music. Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples.2/5(2). This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity .